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சனி, 17 ஜூன், 2017
புதன், 14 ஜூன், 2017
சனி, 3 ஜூன், 2017
Iravukku Aayiram Kangal Teaser
Iravukku Aayiram Kangal Teaser
Iravukku Aayiram Kangal is a Indian Tamil-language action thriller film directed by Mu. Maran. The film features Arulnithi, Ajmal and Mahima Nambiar in the lead roles. Music composed by Vishal Chandrasekhar, Background score by S.Chinna . Produced by Axess Film Factory.
Starcast: Arulnithi, Ajmal and Mahima Nambiar
Written and Directed by: Mu Maaran
DOP: Aravinnd Singh
Editor: San Lokesh
Music : Vishal Chandrashekar
Background Score: S. Chinna
Art Director: N.K. Rahul
Stunts: Ganesh Kumar
DI: Accel Media
V-Fx: Aksha Studios
Executive Producer: S. Aravind
Executive Producer: K. Pooranesh
Production Manager: S.S. Sridhar
Dolby 5.1: Rajakrishnan
S-Fx: Sync Cinemas
Costume Designer: Dorothyjai
PRO: Suresh Chandra
Designs: Thandora
Producer: G. Dilli Babu
Production Banner: Axess Film Factory
Audio Label: Think Music
Written and Directed by: Mu Maaran
DOP: Aravinnd Singh
Editor: San Lokesh
Music : Vishal Chandrashekar
Background Score: S. Chinna
Art Director: N.K. Rahul
Stunts: Ganesh Kumar
DI: Accel Media
V-Fx: Aksha Studios
Executive Producer: S. Aravind
Executive Producer: K. Pooranesh
Production Manager: S.S. Sridhar
Dolby 5.1: Rajakrishnan
S-Fx: Sync Cinemas
Costume Designer: Dorothyjai
PRO: Suresh Chandra
Designs: Thandora
Producer: G. Dilli Babu
Production Banner: Axess Film Factory
Audio Label: Think Music
வெள்ளி, 2 ஜூன், 2017
Enga Amma Rani review
The one and only positive aspect of Enga Amma Rani is the characterization of Dhanshikaa. After watching series of Tamil films portraying heroines in typical ‘loosu poonu’ roles, Dhanshikaa’s character in Enga Amma Rani is a great relief. However, as a film, this one is a plodding ride with the contrived screenplay, lazy writing, and outdated film-making.
Maybe, Enga Amma Rani would have been a perfect film for audiences in 1950’s but now, we are exposed to gems like ‘Queen’ and ’36 Vayadhinile’ with realistic themes and feel-good factor.
The film opens with Thulasi (Dhanshikaa), who is in search for her lost husband in Malaysia. The couple has twin children, Tara (Varsha) and Meera (Varnika). Thulasi slowly comes out of the absence of her husband and finds a job for her two daughters. Unfortunately, Tara dies of a rare disease and Meera also develops similar symptoms.
In order to save Meera, Thulasi takes her to the Cameron Highlands in Malaysia. During the brief stay, Meera gets possessed by a ghost to kill the murderers of her family.
The ghost luckily eradicates the rare disease of Meera but the little one will be alive until she’s possessed. Once the ghost fulfills its wishes, Meera falls ill and the rest of the film is all about the unexpected decision of Thulasi to save her only child…
Dhanshikaa has done her part well, she rightly conveys necessary emotions through her subtle expressions but the rest of the actors are below par, they cannot hold the film, the writing is also over dramatic and dialogues fall flat. It’s shocking to know that Ilaiyaraaja has composed music for Enga Amma Rani, such an unsatisfactory work from the Maestro.
Overall, Enga Amma Rani is a film catered for TV serial fans, who still live in 1950’s.
Enga Amma Rani review- Verdict: Amateurish
Courtesy: Moviebuzz
வியாழன், 1 ஜூன், 2017
Inayathalam review
Ganesh Venkatraman’s Inayathalam is an amateurish attempt, and it takes superhuman strength to stop yourself from nodding off to sleep. This film gets tiring very quickly.
The film is all about series of mysterious murders and the culprits are active on social networking sites. How a set of bumbling cyber crime officials (Swetha Menon and Erode Mahesh) along with an upright cop (Ganesh Venkatram) narrows down the criminal mastermind forms the plot.
Directors Shankar and Suresh seems to have made Inayathalam right after their first college drama that the quality is sub-standard for a feature film. Even some of the badly made TV serials are way better than this at least in terms of production value and performances.
It’s sad to see Ganesh Venkatraman, who is known for his good performance in content-driven films like Abhiyum Naanum, Unnai Pol Oruvan and Thani Oruvan struggle in a clumsy film like this. He may have flexed his muscles like few can, but his acting chops need work. Shwetha Menon looks too mature for the role and Erode Mahesh is a pain. The director duo Shankar & Suresh has taken the audience for granted.
Sukanya as the mysterious villain is the biggest joke and the climax comedy only brings unintentional laughter. Arrol Corelli, who composed music for the poignant Pisaasu had worked in Inayathalam, and the composer has tried to save the film with his background score.
In the film, Sukanya sets a countdown to kill the kidnapped victims and when we come out of the movie, we feel lucky to be alive even after 123 minutes of unbearable torture.
Inayathalam review: Verdict: Amateurish attempt
Courtesy: Moviebuzz
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